Every parish tells the same story in its own way: a gilded retablo, a starry apse, a simple crucifix on brick. Before I photograph a Nuptial Mass, I learn the church: where the light falls, where I can stand without distraction, and what the priest asks of photographers in the sanctuary.
Here are some of the churches where I’ve been blessed to photograph a wedding. If yours isn’t listed, I’d love to learn it.
A Gothic high altar beneath an apse painted as a night sky of gold stars. At the side altar, Our Lady holds the Child, and the Sorrowful Mother waits below her among the roses.


White marble and gold, a towering reredos with St. Martin and St. Rose of Lima on either side, and O Memoriale Mortis Domini carved into the altar.


Warm brick and long wooden slats rising behind a great crucifix, its shadow falling across the wall during the Liturgy of the Word.


A crucifix framed by arched windows, a statue of Our Lady crowned with flowers before the altar, and a rosary laid at her feet.


A warm sanctuary of wood beams and tall stained glass, with a hanging crucifix above the altar and musicians filling the church with music.


A golden Baroque retablo of saints, with Our Lady of Guadalupe at its heart and St. Francis watching over the Nuptial Mass.


Light pouring down beneath crossed wooden beams, a long cathedral veil down the aisle, and a father blessing his daughter before giving her away.


The Carmelite parish of Alhambra, with rose-colored marble, organ pipes and tall stained glass, and the vows exchanged before priests in red vestments.


The cathedral of the Diocese of Orange: a vast nave of glass and light, with bronze Stations of the Cross lining the walls.


The historic church of Guasti: a stone-textured sanctuary, six candles on the altar, and a round stained glass window of St. Secundus on horseback.


The church, the rite, the date, the families. I respond personally within two business days.
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